“Me No Pause Me Play” continues its strong run in Punjab, maintaining momentum well beyond its first week. The film has already crossed 5,000 ticket sales and is still pulling steady crowds in Ludhiana, Amritsar, Jalandhar, Mohali and Chandigarh. Most theatres are reporting consistent occupancy, showing that the movie’s impact is only growing with time.
Leading chains like PVR, INOX, Piccadily and VR Punjab Mall have extended the shows because demand has remained high. Some locations added extra screenings after noticing that weekday shows were filling up almost as quickly as weekend ones. Theatres have noted that the audience response remains emotional, interactive and deeply engaged.
The film’s lasting appeal comes from its honest portrayal of menopause, emotional struggles and the daily realities women handle silently. The story feels real, relatable and warm, which has helped it cut across age groups. Women’s clubs, colleges and community groups continue to book group screenings, calling the film both educational and comforting.
The rise of “Me No Pause Me Play” has also created a buzz because it is now going head-to-head with “Dhurander,” a much-talked-about release entering Punjab cinemas. Despite the competition, the current bookings show that “Me No Pause Me Play” is holding its ground with confidence. Industry observers say the film’s strong connection with viewers and the wave of positive word-of-mouth give it a real chance to stand firm against the new release.
Many families are watching the film after seeing reviews on social media. Women have been writing heartfelt notes about finally seeing their experiences shown with respect and honesty. Health professionals and educators have also appreciated the film for starting a conversation that usually doesn’t find space in homes.
With upcoming shows already booked and audiences continuing to walk into theatres in good numbers, “Me No Pause Me Play” is shaping up to be one of Punjab’s most meaningful and steady performers. The film’s strong emotional pull and growing popularity show that content-driven cinema can compete successfully, even when a big release like “Dhurander” arrives on the scene